I am soooo happy to help dear friend Cara Putman promote her book, TRIAL BY FIRE. Since our focus here at Craving the Supernatural is suspense (and supernatural/speculative, on occasion), I asked Cara to share her heart with you about writing in two genres: suspense and historical. (and to comply with the new FTC rule, yes, I received a free copy of Cara’s book to review, which I haven’t done yet but am working on).
Please give Cara warm welcome!!
To brand or not to brand…
That’s what every author needs.
At least that’s what we’re told as authors almost from the moment we first tap out a word on a keyboard. From some perspectives, people take it to mean you need a tagline. A pithy phrase that defines you to readers and publishers. Others say it means identifying those elements that are consistent in every book you write. The general experience a reader can expect anytime they pick up one of your books.
That sounds good. Really good. So where did I go wrong?
I write in two primary genres: World War Two home-front romance and romantic suspense. On the surface, there isn’t much pulling those two genres together. Let’s face it: one occurred decades before I was born and my life doesn’t exactly read like those of my heroines who are trying to stay a step ahead of the shadows chasing them.
But I love both. And as I’ve spent the last month praying about who I am as a writer, I’ve found some common strains. For example, the heroines all have a core of strength – sometimes a trait they can’t identify in themselves – that sees them through their challenges. These are women who could be broken by their experiences, but somehow they come through the experiences with resilience and a stronger faith on the other side.
The setting also tends to play a strong role. If you’re reading one of my romantic suspense, there is no doubt they are located in Lincoln, Nebraska. From the major university to some of the restaurants highlighted, you’ll only find those things in Lincoln.
And there’s a strong thread about God’s faithfulness whether we can sense it.
And after eight novels, I’m still young. I’ve got a lot to do, a lot to explore. But maybe, just maybe, I’m taking baby steps to identify my core identity as a writer.
About the book:
Her mother’s house was fist. Then her brother’s. County prosecutor Tricia Jamison is sure she’s next on the arsonist’s list. But who is after her family? And why does every fire throw her in Noah Brust’s path? Noah can’t forgive Tricia. Her failure to protect him on the stand the previous year meant his father’s reputation was ruined. Yet every time the firefighter is near her, he’s drawn to her again. The vulnerability she hides under her confident veneer surprises and moves him. Torn between Tricia’s safety and his own bitterness, Noah belatedly remembers the first rule of firefighting: don’t get burned.
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